Limehouse legacy

The public inquiry into the ghastly 2017 Grenfell tower block fire in West London, in which 72 people died, concluded in 2024 that the construction and development industry is not fit for purpose. Charles Knevitt and I concluded the same thing in our 1987 book Community Architecture. This was based largely on the experience of living and working in Limehouse in London’s Docklands, including another public inquiry. In the light of the damning Grenfell inquiry verdict the experience of Limehouse campaigns over development in the 1980’s  should be recorded and revisited.

As a start, and as a tribute to one of London Docklands’ most celebrated community activists, Peter Polish, who died in 2024, here are a few photos of Peter in action and links to a few campaign archives. More to follow.

Peter Polish at his home in Limehouse, 1979 (ref 8330)
Peter Polish clearing debris at his home in Limehouse, 1979 (ref 12614)
Peter Polish chairing a meeting of the Limehouse Development Group, May 1980 ( ref 13209)
Peter Polish at a meeting of the Limehouse Development Group, May 1980 ( ref 13220)
Peter Polish giving evidence at the LImehouse Basin public inquiry in Limehouse Town Hall (then housing the National Museum of Labour History), July 1983 (ref 19600)
Peter Polish at a press briefing in the refreshment tent at the Limehouse Basin public inquiry, July 1983 (ref 19612)

Links to a few archive downloads in chronological order

Routes, Limehouse Motorway News, First Issue, 27 September 1979

‘Developer wants doomed council flats’, The Observer, 23 August 1981

Article in The Architects’ Journal on the proposed Docklands Northern Relief Road, 24 June 1981

‘The road to ruin’. Article in the East End News on the proposed Docklands Northern Relief Road, 26 June 1981

Prince Charles’ East London housing tour, 26 March 1986, photogallery

The Limehouse Petition, June 1986

Cities that destroy themselves’, chapter 3 of Community Architecture, 1987

‘Keep the sharks out of Limehouse Basin’ poster, 1983 (designed and printed by Caroline Easton and Robert Brimblecombe)

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